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CONCERT CLASSICAL GUITAR

The guitar that I suggest you, is an instrument that is the result of many years of research and trial and error. The construction of a guitar is not an exact science, there is only experience and practice that allows you to develop what you are looking for. There are many ways to make a good guitar, as there are also to make a good wine, for example.
My guitar is the result of what I love, and maybe it is what you are looking for at a specific time.
I didn’t choose to make a copy of the guitar of this or that famous luthier, but I preferred to develop my own style, both in terms of sound and aesthetics.

The rosette in olive wood and ebony is engraved.
In order to increase the sustain, I doubled the sides.
The design of the bracing that I used on this model is original, and has developed over time.

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Soundboard : Red cedar or spruce

Back & sides : Indian rosewood

Neck : Honduras cedro

Fretboard : Ebony

Purfling : Pear wood

Soundhole rosette : Engraved olive tree and ebony

Bridge : South american rosewood, doubled string holes.

With at the nut : 51,5 mm

Scale length : 65 cm

Finish: French polish

Tuners : Alessi


Read the article in the French magazine Guitare classique. HERE